Throughout her screen time, Roxy is visibly torn between enduring love for her family, guilt, and profound exhaustion. The show’s creators and actors effectively convey the full spectrum of the patient’s doubts and emotions: the shame of losing basic independence (‘A bedpan it is’); despair for her husband, who spends all his time caring for his dying wife (‘I watched the light go out in his eyes’); fear for her children, who will be left without a mother so early (‘Why give me children and a husband I adore, just to take them away from me?’); the search for personal space and control (‘It’s good for us to be apart for a while’); and the pain that overrides and eclipses everything else.
Consequently, at the very last moment, when everything is ready for her discharge and the ambulance has arrived to take Roxy home, she asks to remain in hospital. She wants to take control of the situation, to ‘let go’ of her husband, and to give him the chance to ‘let go’ of her.
Throughout Roxy’s story, we see her prepare for this final decision, step by step. Her choice in favour of sedation is not accidental; it is the result of a long process of acknowledging her boundaries and needs. Although Roxy initially doubts whether she can go through with it, the plot systematically guides us to this moment.